{"product_id":"rme-fireface-802-fs-60-channel-192-khz-high-end-usb-audio-interfacerme-fireface-802-fs-60-channel-192-khz-high-end-usb-audio-interface","title":"RME Fireface 802 FS 60-Channel 192 KHz High-End USB Audio Interface(Rme Fireface 802 Fs 60 Channel 192 Khz High End Usb Audio Interface)","description":"\u003cp\u003e\u003cstrong\u003eRME Fireface 802 FS 60-Channel 192 kHz High-End USB Audio Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS is a highly  integrated pro audio solution for live and studio use, all within a 19”  enclosure. An interface designed for users who don’t want to make compromises  in sound, stability and ultra-low latency operation, and who long for an  unrivaled professional feature set. Once again a milestone interface from RME,  including the best of the best and even a bit more. 60 channels of audio, high-end  microphone preamps, reference class converters, a complete effects section and  operation at up to 192 kHz are the base for many more features.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnhance Your Recording Setup -  Discover Unmatched Flexibility\u003c\/strong\u003e\u003cbr\u003e  Ultra-low latency operation with  RME USB 2 technology, combined with the legendary RME driver stability and  maintenance. SteadyClock FS jitter suppression, individually switchable  reference levels for all inputs and outputs, full stand-alone functionality and  identical operation on Windows PC and Mac completes the package.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS is based on a  newly developed analog and digital board. While the analog board offers, for  example, DC-coupled analog outputs as well as new AD and DA converters, the  digital board also enables interesting new features thanks to updated high-tech  components.\u003c\/p\u003e\n\u003cp\u003eThe front panel of the Fireface  802 FS provides four high-performance XLR\/TRS combo inputs for microphone,  instrument and line signals and two stereo headphone jacks with +17 dBu output  level, to provide high volumes even with hi-impedance headphones.\u003c\/p\u003e\n\u003cp\u003eThe rear panel reveals the full  connectivity of the Fireface 802 FS. Besides MIDI and Word Clock I\/O, the two  optical ADAT I\/Os, an AES\/EBU I\/O, and eight balanced analog inputs and outputs  with line level are available. With the new Multi-Mode, the two ADAT I\/Os can  be used as separate optical SPDIF inputs and outputs in addition to the AES  I\/O. Users will also find a USB A port for connecting directly the optional  available ARC USB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowerful Applications for  Mixing, Monitoring and Measurement included\u003c\/strong\u003e\u003cbr\u003e  The Fireface 802 FS comes with the  TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as  well as the DigiCheck Analyzer allowing to measure and analyze the digital data  feed in both directions with maximum precision. TotalMix FX can completely  replace an external mixer, enabling the creation of multiple latency-free  monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main  monitors and headphone mixes for musicians.\u003c\/p\u003e\n\u003cp\u003eThe additional TotalMix Remote is  a remote control for TotalMix FX, to control the hardware mixer and effects in  RME audio interfaces. TotalMix Remote mirrors the current state of the host  system on the iPad and Windows\/Mac computers - the entire mixing state, the  complete routing, all FX settings, up to the level meters, and everything in  real-time. Easily adjust all the mixer and FX settings from a distance, via  Ethernet and WiFi.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB 2 Class Compliant Audio\u003c\/strong\u003e\u003cbr\u003e  The Fireface 802 FS operates in  two different modes: driver-based USB 2 and Class Compliant. The Class  Compliant mode is a standard that is natively supported by operating systems like  Windows, Mac OSX and Linux distributions. No proprietary drivers are required,  the device will be directly recognized when the CC firmware is loaded. The  alternative CC mode can be activated via a recessed pushsummary switch directly  at the back of the interface.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS offers full  USB 2.0 support in Class Compliant Mode. This makes all channels available in  driverless operation for Linux, Mac and iPadOS. An iPad Pro with USB C can  manage up to 60 channels for recording and playback in TotalMix FX for iPad and  on system level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDC-Coupled Outputs - CV\/Gate  Voltage Control\u003c\/strong\u003e\u003cbr\u003e  Most audio interfaces are  traditionally designed with what is called 'AC-coupled outputs', where  capacitors are used to filter out any extreme low frequencies.\u003c\/p\u003e\n\u003cp\u003eWhilst these frequencies are  generally considered undesirable for audio - eating into headroom and  potentially causing damage to other equipment - one instance where DC-coupling  remains desirable is the world of modular synthesizers, where static or  slow-moving signals are used for control over various parameters such as pitch  note values or LFOs.\u003c\/p\u003e\n\u003cp\u003eAll of the Fireface 802 FS  line-level outputs are fully DC-coupled, allowing for the sending of control  voltages (CV) or Gate information to modular synthesizers (such as the popular  Eurorack and Moog\/MOTM\/Synthesizers formats) and other studio hardware.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eARC USB Remote Control - Plug’n  Play Plus\u003c\/strong\u003e\u003cbr\u003e  The optional available ARC USB  connects to your computer via USB, and talks to TotalMix FX directly. It has 15  freely assignable and illuminated summarys, one encoder wheel, and a TS jack to  connect a foot switch.\u003c\/p\u003e\n\u003cp\u003eThe ARC USB is a USB 1.1 MIDI  remote control for the Fireface 802 FS. Thanks to operating as a UAC 1 class  device, it is natively compatible to Windows and Mac OS X. As soon as it is  present in the operating system, TotaIMix FX will automatically detect the ARC  USB, and communicate with it via simple MIDI remote commands to control the 802  FS.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnectivity and Features\u003c\/strong\u003e\u003cbr\u003e  12 x Analog I\/O\u003cbr\u003e  4 x XLR\/TRS Mic\/Inst\/Line\u003cbr\u003e  2 x Phones Output\u003cbr\u003e  1 x AES\/EBU I\/O\u003cbr\u003e  2 x ADAT I\/O\u003cbr\u003e  2 x SPDIF I\/O\u003cbr\u003e  1 x Word Clock I\/O\u003cbr\u003e  1 x MIDI I\/O\u003cbr\u003e  1 x RME USB 2.0\u003cbr\u003e  Class Compliant Mode\u003cbr\u003e  TotalMix FX\u003cbr\u003e  ARC USB\u003cbr\u003e  Including FX\u003cbr\u003e  SteadyClock FS\u003cbr\u003e  DC-coupled Outputs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eAD, Line In 1-8, rear\u003c\/strong\u003e\u003cbr\u003e  Input: 6.3 mm TRS, electronically  balanced\u003cbr\u003e  Signal to Noise ratio (SNR) @  LoGain: 116 dB (AES17), 118 dBA\u003cbr\u003e  Signal to Noise ratio (SNR) @ +4  dBu: 115 dB (AES17), 117 dBA\u003cbr\u003e  Frequency response @ 44.1 kHz,  -0.1 dB: 8.9 Hz - 20.4 kHz\u003cbr\u003e  Frequency response @ 96 kHz, -0.5  dB: 4.3 Hz - 45.2 kHz\u003cbr\u003e  Frequency response @ 192 kHz, -1  dB: 3 Hz - 89 kHz\u003cbr\u003e  Filter: Short Delay Sharp, 5 \/ 5 \/  6 samples delay\u003cbr\u003e  THD @ -1 dBFS: \u0026lt; -120 dB, \u0026lt;  0.0001 %\u003cbr\u003e  THD+N @ -1 dBFS: \u0026lt; -110 dB,  \u0026lt; 0.00032 %\u003cbr\u003e  Channel separation: \u0026gt; 110 dB   Maximum input level: +19 dBu\u003cbr\u003e  Input: 6.3 mm TRS jack,  electronically balanced\u003cbr\u003e  Input impedance @ 1 kHz: 10 kOhm  unbalanced, 10.6 kOhm balanced\u003cbr\u003e  Input sensitivity switchable  between Lo Gain and +4 dBu\u003cbr\u003e  Input level for 0 dBFS @ Lo Gain:  +19 dBu\u003cbr\u003e  Input level for 0 dBFS @ +4 dBu:  +13 dBu\u003cbr\u003e  Variable digital gain: 0 to +12 dB\u003cbr\u003e  Minimum level for 0 dBFS: +1 dBu,  -1.2 dBV\u003cbr\u003e  \u003cstrong\u003eMicrophone In 9-12, front\u003c\/strong\u003e\u003cbr\u003e  As AD, but:\u003cbr\u003e  Input: XLR, electronically  balanced\u003cbr\u003e  Input impedance: 3.4 kOhm\u003cbr\u003e  Signal to Noise ratio (SNR): 113  dB RMS unweighted, 116 dBA\u003cbr\u003e  Gain range: 54 dB\u003cbr\u003e  Maximum input level, Gain +6 dB:  +10 dBu\u003cbr\u003e  Maximum input level, Gain +60 dB:  -44 dBu\u003cbr\u003e  CLIP LED: 0 dBFS\u003cbr\u003e  SIG LED: -42 dBFS\u003cbr\u003e  \u003cstrong\u003eInstrument In 9-12, front\u003c\/strong\u003e\u003cbr\u003e  As AD, but:\u003cbr\u003e  Input: 6.3 mm TS jack, unbalanced\u003cbr\u003e  Input impedance: 1 MOhm\u003cbr\u003e  Signal to Noise ratio (SNR): 113  dB RMS unweighted, 116 dBA\u003cbr\u003e  Maximum input level, Gain +6 dB:  +21 dBu\u003cbr\u003e  Maximum input level, Gain +60 dB:  -33 dBu\u003cbr\u003e  Frequency response @ 44.1 kHz,  -0.5 dB: 2.5 Hz - 20.8 kHz\u003cbr\u003e  Frequency response @ 96 kHz, -0.5  dB: 2.5 Hz - 25 kHz\u003cbr\u003e  Frequency response @ 192 kHz, -1  dB: 1.7 Hz - 36 kHz\u003cbr\u003e  \u003cstrong\u003eDA - Stereo Monitor Output  Phones (9-12)\u003c\/strong\u003e\u003cbr\u003e  As DA, but:\u003cbr\u003e  Output: 2 x 6.3 mm TRS stereo  jack, unbalanced\u003cbr\u003e  Maximum output level at 0 dBFS:  +17 dBu\u003cbr\u003e  Max power per channel @ 32 Ohm  load, 0.02% THD: 200 mW (2.5 Vrms, +10 dBu)\u003cbr\u003e  Signal to Noise ratio (SNR): 116  dB (AES17), 118 dBA\u003cbr\u003e  Output impedance: 2 Ohm\u003cbr\u003e  \u003cstrong\u003eDA, Line Out 1-8, rear\u003c\/strong\u003e\u003cbr\u003e  Output: 6.3 mm TRS jack,  servo-balanced\u003cbr\u003e  Signal to Noise ratio (SNR) @  HiGain: 116.5 dB (AES17), 118.5 dBA\u003cbr\u003e  Signal to Noise ratio (SNR) @ +4  dBu: 116 dB (AES17), 118 dBA\u003cbr\u003e  Signal to Noise ratio (SNR) @ -10  dBV: 107 dB (AES17), 109 dBA\u003cbr\u003e  Frequency response @ 44.1 kHz,  -0.1 dB: 0 Hz - 20.2 kHz\u003cbr\u003e  Frequency response @ 96 kHz, -0.5  dB: 0 Hz - 44.6 kHz\u003cbr\u003e  Frequency response @ 192 kHz, -1  dB: 0 Hz - 77.5 kHz\u003cbr\u003e  THD+N: \u0026lt; -110 dB, \u0026lt; 0.00032  %\u003cbr\u003e  Channel separation: \u0026gt; 110 dB\u003cbr\u003e  Output level switchable Hi Gain,  +4 dBu, -10 dBV\u003cbr\u003e  Output level at 0 dBFS @ Hi Gain:  +19 dBu\u003cbr\u003e  Output level at 0 dBFS @ +4 dBu:  +13 dBu\u003cbr\u003e  Output level at 0 dBFS @ -10 dBV:  +2 dBV (+4.2 dBu)\u003cbr\u003e  Output impedance: 75 Ohm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003cbr\u003e  1 x MIDI I\/O via 5-pin DIN jacks\u003cbr\u003e  Galvanically isolated by  optocoupled input\u003cbr\u003e  Hi-speed mode: Jitter and response  time typically below 1 ms\u003cbr\u003e  Separate 128 byte FIFOs for input  and output\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003cbr\u003e  Clocks: Internal, ADAT In, AES In,  SPDIF In, Word Clock In\u003cbr\u003e  Jitter suppression of external  clocks: \u0026gt; 50 dB (\u0026gt; 1 Hz)\u003cbr\u003e  Effective clock jitter influence  on AD and DA conversion: near zero\u003cbr\u003e  PLL ensures zero dropout, even at  more than 100 ns jitter\u003cbr\u003e  Digital Bitclock PLL for  trouble-free varispeed ADAT operation\u003cbr\u003e  Supported sample rates: 28 kHz up  to 200 kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Inputs\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003cbr\u003e  1 x XLR, transformer-balanced,  galvanically isolated, according to AES3-1992\u003cbr\u003e  High-sensitivity input stage (\u0026lt;  0.3 Vpp)\u003cbr\u003e  SPDIF compatible (IEC 60958)\u003cbr\u003e  Accepts Consumer and Professional  format\u003cbr\u003e  Lock range: 27 kHz - 200 kHz\u003cbr\u003e  Jitter suppression: \u0026gt; 50 dB  (\u0026gt; 1 Hz)\u003cbr\u003e  \u003cstrong\u003eADAT Optical\u003c\/strong\u003e\u003cbr\u003e  2 x TOSLINK, format according to  Alesis specification\u003cbr\u003e  Standard: 2 x 8 channels 24 bit,  up to 48 kHz\u003cbr\u003e  Double Speed (S\/MUX): 2 x 4  channels 24 bit 96 kHz\u003cbr\u003e  Quad Speed (S\/MUX4): 2 x 2  channels 24 bit 192 kHz\u003cbr\u003e  Bitclock PLL ensures perfect  synchronisation even in varispeed operation\u003cbr\u003e  Lock range: 31.5 kHz - 50 kHz\u003cbr\u003e  Jitter suppression: \u0026gt; 50 dB  (\u0026gt; 1 Hz)\u003cbr\u003e  \u003cstrong\u003eSPDIF optical (ADAT 1\/2)\u003c\/strong\u003e\u003cbr\u003e  1 x optical, according to IEC  60958\u003cbr\u003e  Accepts Consumer and Professional  format\u003cbr\u003e  Lock range: 27 kHz - 200 kHz\u003cbr\u003e  Jitter suppression: \u0026gt; 50 dB  (\u0026gt; 1 Hz)\u003cbr\u003e  \u003cstrong\u003eWord Clock\u003c\/strong\u003e\u003cbr\u003e  BNC, not terminated (10 kOhm)\u003cbr\u003e  Switch for internal termination 75  Ohm\u003cbr\u003e  Automatic Double\/Quad Speed  detection and internal conversion to Single Speed\u003cbr\u003e  SteadyClock guarantees super low  jitter synchronization even in varispeed operation\u003cbr\u003e  Not affected by DC-offsets within  the network\u003cbr\u003e  Signal Adaptation Circuit: signal  refresh through auto-center and hysteresis\u003cbr\u003e  Overvoltage protection\u003cbr\u003e  Level range: 1.0 Vpp - 5.6 Vpp\u003cbr\u003e  Lock Range: 27 kHz - 200 kHz\u003cbr\u003e  Jitter suppression: \u0026gt; 50 dB  (\u0026gt; 1 Hz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Outputs\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003cbr\u003e  1x XLR, transformer-balanced,  galvanically isolated, according to AES3-1992\u003cbr\u003e  Output level Professional 4.2 Vpp,  Consumer 2.4 Vpp\u003cbr\u003e  Format Professional according to  AES3-1992 Amendment 4\u003cbr\u003e  Format Consumer (SPDIF) according  to IEC 60958\u003cbr\u003e  Single Wire mode, sample rate 28  kHz up to 200 kHz\u003cbr\u003e  \u003cstrong\u003eADAT\u003c\/strong\u003e\u003cbr\u003e  2 x TOSLINK, format according to  Alesis specification\u003cbr\u003e  Standard: 2 x 8 channels 24 bit,  up to 48 kHz\u003cbr\u003e  Double Speed (S\/MUX): 2 x 4  channels 24 bit 96 kHz\u003cbr\u003e  Quad Speed (S\/MUX4): 2 x 2  channels 24 bit 192 kHz\u003cbr\u003e  \u003cstrong\u003eSPDIF optical (ADAT 1\/2)\u003c\/strong\u003e\u003cbr\u003e  Format Consumer (SPDIF) according  to IEC 60958\u003cbr\u003e  Sample rate 28 kHz up to 200 kHz\u003cbr\u003e  \u003cstrong\u003eWord Clock\u003c\/strong\u003e\u003cbr\u003e  BNC\u003cbr\u003e  Max. output voltage: 5 Vpp\u003cbr\u003e  Output voltage @ 75 Ohm  termination: 4.0 Vpp\u003cbr\u003e  Output impedance: 10 Ohm\u003cbr\u003e  Frequency range: 27 kHz - 200 kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003cbr\u003e  Power supply: Internal switching  PSU, 100 - 240 V AC, 30 Watt\u003cbr\u003e  Idle power consumption: 15 Watt\u003cbr\u003e  Typical power consumption: 22 Watt\u003cbr\u003e  Dimensions including rack ears  (WxHxD): 483 x 44 x 242 mm (19\" x 1.73\" x 9.5\")\u003cbr\u003e  Dimensions without rack  ears\/handles (WxHxD): 436 x 44 x 235 mm (17.2\" x 1.73\" x 9.3\")\u003cbr\u003e  Weight: 2.8 kg ( 6.2 lbs)\u003cbr\u003e  Temperature range: +5° up to +50°  Celsius (41° F up to 122°F)\u003cbr\u003e  Relative humidity: \u0026lt; 75%, non  condensing\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Classic Aluminum","offer_id":47520569589938,"sku":"YXZSZ 7551875383493","price":99.99,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":47520569622706,"sku":"YXZSZ 7551875383493-2","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0773\/7311\/2498\/files\/1-rme-fireface-802-fs_e835efbd-3135-407f-8182-bd249ac65d91.jpg?v=1779869516","url":"https:\/\/audio.cpixshop.com\/products\/rme-fireface-802-fs-60-channel-192-khz-high-end-usb-audio-interfacerme-fireface-802-fs-60-channel-192-khz-high-end-usb-audio-interface","provider":"AVL Gear Shop","version":"1.0","type":"link"}